Copyright 2025 Association des amis de L'Atelier De Grandi
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The Association approaches public or private institutions supporting cultural projects by financing certain aspects (poster campaign, catalogue production, scenography, etc.) by providing :
In addition, the Association addresses itself to companies wishing to sponsor a project, in exchange of counterparts such as :
Finally, the Association allows anyone to personally contribute to a project:
The Association approaches public or private institutions supporting cultural projects by financing certain aspects (poster campaign, catalogue production, scenography, etc.) by providing :
In addition, the Association addresses itself to companies wishing to sponsor a project, in exchange of counterparts such as :
Finally, the Association allows anyone to personally contribute to a project:
Whatever the amount, the support of cantonal and communal institutions, recognizing a project of the Association as being of public interest, constitutes the basic reference according to which other institutions set the amount of their contribution. This contribution is indispensable and we are very grateful to the following institutions:
Cultural
Affairs Service of the State of Vaud
Commune de Corseaux
Commune of Chexbres
Commune de Vaulion
The exhibitions and lecture cycles realized since the opening of the museum in September 2017 by the Association, would not have taken place without the major contributions of the following private institutions, to which we are deeply grateful:
Lottery Romande
Ernst Göhner Foundation
Sandoz Family Philanthropic Foundation
Nestlé Corporate Contributions
Wilhelm Gimmi Foundation
EPFL ACMs and Archizoom
Waldensian Academic Society
Marcel Regamey Foundation
Casimir Reymond Foundation
Sponsorship can take different forms, either project-based or contributing to the Association's activities over the long term. The Retraites Populaires supported the VENICE exhibition from time to time.
AJP Security below is not only responsible for the museum's security system, but its leaders have opted for long-term support.
We warmly thank these sponsors:
Artist, painter, engraver, copperplate cutter and creator of bibliophile books, Maya Boisgallays was born in Montreux, Switzerland, in 1949.
His work is preserved at the Bibliothèque nationale de France, among others, and most of it has been deposited at the Fondation ateliers d'artiste in St-Maurice.
Exaltation of surfaces
Subtle volume nesting
Absence of decorations
Exaltation of surfaces
Subtle volume nesting
Absence of decorations
Exaltation of surfaces
Subtle volume nesting
Absence of decorations
"Watercolor first.
The choice of paper - not rough,
smooth but with a velvety texture.
The importance of touch.
Colours in tubes and not in cups,
that come out bright, dense, dark.
Their smell.
With the fresh, non-dry matter,
voluptuousness of mixtures. "
"Watercolor first.
The choice of paper - not rough,
smooth but with a velvety texture.
The importance of touch.
Colours in tubes and not in cups,
that come out bright, dense, dark.
Their smell.
With the fresh, non-dry matter,
voluptuousness of mixtures. "
"Watercolor first.
The choice of paper
- not rough,
smooth but with a velvety texture.
The importance of touch."
Claire Koenig : composition 2003 ?
"In a few words" by Claire Koenig
FERRARY ART GALLERY February 2108
Softness of form
in the light
Asymmetrical freedoms
Softness of form
in the light
Asymmetrical freedoms
Softness of form
in the light
Asymmetrical freedoms
"...stop his gaze
on the non-places,
the spaces between things.
Colour - transparent,
it's obvious,
but wanted dense,
in places almost to opacity. "
"...stop his gaze
on the non-places,
the spaces between things.
Colour - transparent,
it's obvious, but intended to be dense,
in places almost up to
opacity. "
"...stop his gaze
on the non-places,
spaces
between things. "
Claire Koenig: composition 2013
"In a few words" by Claire Koenig
FERRARY ART GALLERY February 2108
Serene light
Calm proportions
Material accuracy
Song of colours
Serene light
Calm proportions
Accuracy
of materials
Song of colours
Serene light
Calm proportions
Material accuracy
Song of colours
A density that comes by the addition of an almost pure colour, without water, and not by superimposition.
Drawing as meditation, watercolour as action.
The two are complementary.
Drawing as meditation, watercolour as action.
The two are complementary.
A density that comes by the addition of an almost pure color,
without water, and not by superimposition.
Drawing as meditation, watercolour as action.
The two are complementary.
Claire Koenig: composition 2013
"In a few words" by Claire Koenig
FERRARY ART GALLERY February 2108
Claire Koenig graduated from the Ecole cantonale d'art de Lausanne in 1976.
and a member of Visarte Vaud.
She has exhibited regularly since 1984
and teaches drawing and watercolor...
in his Vevey workshop since 1990.
Claire Koenig is a graduate
of the Cantonal School of Art
of Lausanne in 1976
and a member of Visarte Vaud.
She exhibits regularly
since 1984
and teaches drawing and watercolor...
in his Vevey workshop since 1990.
Claire Koenig graduated from the Ecole cantonale d'art de Lausanne in 1976.
and a member of Visarte Vaud.
She has exhibited regularly since 1984
and teaches drawing and watercolor...
in his Vevey workshop since 1990.
Publications :
Outremer 3072, with Christine Sefolosha, 2002.
Prétexte à mes départs, 2008.
Butterfly monologue, poems by Ulrike Blatter, 2012.
At the other end of the eyes, from image to word,
artist's leporello with poems by Eliane Vernay, 2019.
Publications :
Overseas 3072,
with Christine Sefolosha, 2002.
Pretext for my departures, 2008.
Butterfly monologue,
poems by Ulrike Blatter, 2012.
At the other end of the eyes, from image to word,
leporello of artists with poems
by Eliane Vernay, 2019.
Depending on your contribution to the financing of this project (from CHF 100.- tax deductible) you will receive the following benefits:
What's more, you're automatically registered as a site user (login) with private access to reserved content (including your own collection of works). And this for the duration of the project, after which you can choose :
TARGET: CHF 6,000.00 until March 31, 2024
Make your own contribution, in addition to support from the following institutions:
- Sandoz Family Philanthropic Foundation
- SERAC Canton de Vaud
- Arts Visuels Vaud
- Commune de Corseaux
Even if the target of CHF 6,000 is not reached by March 31, all donations will be used for the exhibition.
A VERY BIG THANK YOU
to the 32 generous donors!
All funds raised - CHF 3,730.00 - will be used to mount the exhibition Maya Boisgallays Paysages intérieurs from April 18 to October 27, Thursday to Sunday, 1:30 to 6:00 pm.
By offering your services as a volunteer for this project, you are automatically registered as a user of the site (login) with private access to reserved content (including your own collection of works). And this for the duration of the project, after which you will be able to choose :
Your commitment is essential for the smooth running of this project. You can choose or propose which activity you wish to carry out as a volunteer by filling in the form below.
Of the CHF 19,000 budgeted in the project file, CHF 6,000 remains to be financed.
You will be able to choose which type of counterparty is best for you when you fill in the form below.
Your specific support for this project.
The amount below is indicative: you can enter another amount from CHF 500.00
Your one-time contribution is a specific donation for this project.
The amount below is indicative: you can enter another one starting from CHF 500.00
Sponsoring all of L'Atelier De Grandi's activities is a long-term commitment, for which you set the annual amount yourself.
You will be able to choose which type of counterparty is best for you when you fill in the form below.
Your annual support over time.
The amount below is indicative: you can enter another one starting from CHF 200.00
Your one-time contribution is a specific donation for this project.
The amount below is indicative: you can enter another one starting from CHF 200.00
Of the CHF 19,000 budgeted in the project file, CHF 6,000 remains to be financed.
Your unique and specific donation for this project.
The amount below is indicative: you can enter another one starting from CHF 500.00
Your one-time contribution is a specific donation for this project.
The amount below is indicative: you can enter another one starting from CHF 500.00
Copyright 2025 Association des amis de L'Atelier De Grandi
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